* In which there is a crack in everything, that’s how the light gets in.
If Canadian artist James Nizam isn’t cutting or drilling into the walls and ceilings of a modest BC house acquired through negotiations with local government, then he’s creating magnificent geometric sculptures from a single shaft of light, and a series of strategically placed mirrors. Once Nizam started, he had to move quickly before the light moved off-target. The shaft was good for maybe two or three bounces before it began to fade, so he decided to shoot with multiple exposures, “breaking down the end result into fragments, and building up the image over time.”
The result deserves a slow clap because this shit takes patience and perseverance. It’s also amazing and wonderful. So thumbs up James.